展覽名稱：《零點(diǎn)迷離》——梁古一油畫展
策展人：李俊
學(xué)術(shù)主持：徐盛
開幕時(shí)間：2008年8月9日 下午15：00
展覽時(shí)間：2008年8月9日--2008年9月7日
主辦：檸檬畫廊
協(xié)辦：中國當(dāng)代藝術(shù)網(wǎng)(www.artc.net.cn)
參展藝術(shù)家：梁古一
媒體支持：藝術(shù)中國、世紀(jì)在線中國藝術(shù)網(wǎng)、99藝術(shù)網(wǎng)、在藝術(shù)網(wǎng)、卓克藝術(shù)網(wǎng)、浙江藝術(shù)網(wǎng)、天祿琳瑯?biāo)囆g(shù)網(wǎng)
電話：+86-755-27664071
傳真：+86-755-27590476
郵箱：lemon_gallery@163.com
展覽地址：深圳市寶安22區(qū)公園路「深圳22藝術(shù)區(qū)」一號(hào)樓2樓 檸檬畫廊
前言
紙醉金迷，燈紅酒綠……
當(dāng)古一認(rèn)真審視周邊所發(fā)生的一切時(shí)，內(nèi)心充滿了莫名的焦慮和不安，他不停地問自己：這是人類進(jìn)步過程中必顯的悲哀嗎？“迷離都市”系列是畫家經(jīng)歷了數(shù)次不同的生存體會(huì)后，帶著高層次的眼光更深度地去挖掘一些社會(huì)現(xiàn)象。
“云卷云舒，華燈初上；都市好像一個(gè)奇妙的迷宮，人們在自覺不自覺地進(jìn)入這個(gè)夢幻的世界。不管你往左還是往右，很難找到一個(gè)固定的方向，在曖昧的霓虹燈間尋覓著、搜獵著、游離著，到最后變成沒有了自我，隨風(fēng)迷失在飄渺的世界里……”畫中的女人以及她們空洞的眼神向我們娓娓道來。
迷離在都市瘋狂夜生活的女人們，不知該何去何從。也許上天注定女人就是感性的，終歸要找個(gè)地方“默讀傷悲”。
李俊
When Guyi surveyed what happened around him seriously, there is full of anxiety and discomposure in his heart. He asks himself, “Is it the inevitable ruth in the human progress?” “Blurred City” series revealed some social phenomenon in-depth after the artist has experienced different kinds of the life.
“The city likes a screwball labyrinth in the night. And people come to the illusion word unconsciously. Wherever you go, it’s hard for you to find a settled direction. Most of people may dissociate and lose oneself in the wispy world at last. The women and their inane eyes in the picture tell us it.
The women who get lost in the night don’t know where to go. Maybe the Gold makes them sensibility. So they have to find a way to read their sad silently.
Written by Li Jun
迷離與回味
——關(guān)于梁古一的“迷離都市”系列
初次看梁古一的作品，作品很多，有不同時(shí)期創(chuàng)作的，看了很久，有一種說不清的感覺，幾分迷離、幾分回味。
他畫了一群都市女郎，準(zhǔn)確的說是一群生活在深圳的女性群體。在過去長達(dá)十年里，在這個(gè)飛速發(fā)展變化的時(shí)代與藝術(shù)潮流中，梁古一始終堅(jiān)守著自己的道路，不盲目追求時(shí)尚而潛心于喚起人們對生活的思考，對存在意義的思考，對于這樣一位執(zhí)著的藝術(shù)家我認(rèn)為他是熱愛生活的并且是懂得洞察人生的。
1981年，法國作家龔古爾在目睹了巴黎被拆毀的建筑的廢墟后說：“內(nèi)部行將死亡，生活勢將公眾化。對正在來臨的事物我越來越陌生……”龔古爾的這種感受是對突如其來的城市急劇變化的困惑的反應(yīng)。我想，在經(jīng)歷深圳由一個(gè)小漁村變成如今的大都市，面對這座中國改革開放的標(biāo)志城市的日益變化，藝術(shù)家或許也有過同樣的困惑，但是在困惑之后，他能夠保持冷靜的頭腦，知難而上，在一旁關(guān)注這個(gè)激烈變化的城市和世俗化的文化平庸，并做出獨(dú)立的思考，體現(xiàn)了他獨(dú)立的藝術(shù)進(jìn)取精神和執(zhí)著的精神視野。
現(xiàn)代都市生活的劇變導(dǎo)致了一部分人沒有固定的自我，慣于接受，這樣人就仿佛懸浮于世，到處漂泊。正如梁古一自己所說：“都市好像一個(gè)奇妙的迷宮，人們正自覺不自覺地進(jìn)入這個(gè)夢幻的世界。不管你往左或右或前或后，很難找到一個(gè)固定的方向，在曖昧的霓虹燈間尋覓著、搜獵著、游離著，但又不知該往那里去，只有不停地看，不停地走，走著走著就沒有了目的，更沒有了方向或根本不需要方向，到最后變成沒有了自我，隨風(fēng)而飄迷失在滾滾的萬丈紅塵之中……”所以我們看到其作品中一個(gè)個(gè)迷茫而空洞的眼神，盡管她們化了妝，涂抹了紅色的口紅，身著時(shí)尚白領(lǐng)套裝，依然掩飾不住她們的空虛、孤獨(dú)、頹廢、縱容自我、沉淪，她們依舊是寂寞的，毫無生氣的游蕩在各種場所。我想這大概也是梁古一將其作品取名為“迷離都市”的原因吧。“迷離”，意為迷茫游離，當(dāng)心游離于身體之外時(shí)，人就會(huì)迷茫而失去方向。藝術(shù)家時(shí)而從高處俯瞰這些“游蕩者”，時(shí)而置身樓群街道中穿行，與其他“游蕩者”一同體驗(yàn)社會(huì)。
“迷離都市”系列所繪的對象都是都市女性，通過對都市女性生活狀況的描繪折射出消費(fèi)文化、大眾文化滲透下的社會(huì)情境和一部分人的生存狀態(tài)。這個(gè)系列一部分是描繪的獨(dú)立的白領(lǐng)女性生活。將她們生活的方方面面通過一些簡單的日用品用油彩圖繪出來，筆記本、紅酒、講究的早餐、咖啡、高級銀包、香煙、粉餅盒等等。她們?yōu)榱俗非髸r(shí)尚或者工作方便，大部分選擇筆記本，這樣網(wǎng)絡(luò)自然就成為了她們生活的重要部分，網(wǎng)絡(luò)如今也是我們現(xiàn)代人生活的重要部分，甚至已然成為一種生活方式。至于泡吧、狂歡、party則是另一種放縱自我的方式。他的作品中，還有一部分繪畫手法融入了更多的寫意成分，此時(shí)背景也發(fā)生了變化：有的是線條，有的像擴(kuò)散的水波，與此同時(shí)時(shí)尚白領(lǐng)套裝也變成更為性感的甚至是暴露的衣著，人物發(fā)型也有了一些變化，人物所處的環(huán)境由現(xiàn)實(shí)社會(huì)場景走入更加虛無的幻境當(dāng)中。始終如一的是迷惘空洞的大眼睛和涂抹著橙紅色的不算性感的小嘴兒。畫面通過人物和虛實(shí)不定的環(huán)境的組合，傳達(dá)出藝術(shù)家對于社會(huì)的體味，同時(shí)也給我們一個(gè)視覺性的想象空間。
徐盛
2008年7月23日凌晨 深圳
Blurred and Memorable
On Liang Guyi’s “Blurred City”
When I first read Liang Guyi’s works, there are so many works in his different creative periods and I saw a long time. There is a feeling that can’t be described by language, somewhat blurred, somewhat memorable.
He painted a group of city girls. It is accurate to say that he painted a group of woman living in Shenzhen. In the past 10years, facing the rapid developed era and changing art trends, Liang Guyi insists his own way and do not pursuit the fashion blindly. He wants to arouse people’s thinking of life and existence. For such a dedicated artist, I think he must love and know to penetrate life.
1981, when the French writer Goncourt witnessed the relics of the ruined building in Paris, he said:” the inside will be death, life will be public. Facing those coming things I become stranger…”Goncourt’s feelings is a kind of confused response for the sudden drastic changes of the city. I think that having experienced Shenzhen from a small fishing village became to a metropolis, the artist may has the same confusion. But after confusing, he can keep his head and pay attention on the intense changes in the city and then made an independent thinking. All of this has shown his artistic enterprising spirit and perseverance spirit view.
The drastic changes in modern city led to a part of people do not fixed and used to accept. So this kind of people easy to wandering likes suspending in the world. As Liang Guyi said,” The city likes a screwball labyrinth in the night. And people come to the illusion word unconsciously. Wherever you go, it’s hard for you to find a settled direction. Most of people may dissociate and lose oneself in the wispy world at last…” Therefore, we found that there are so many confused and inane eyes. Although they makeup, smeared red lipstick and dressing with fashion white-collar suit, still can not cover up their emptiness, loneliness, decadence and connivance. They are still loitering in various places lonely. I think this is the reason why Liang Guyi named his works “Blurred City”. Here “blurred” means “confused and dissociate”. When one’s heart dissociate from the body, people will lose the direction. The artist sometimes overlooks these “l(fā)oitering people” and sometimes walks in the street and experiences the society.
“Blurred City” series’ objects are urban women. Through describing the living conditions of these women, it reflects a kind of social situation under the consumer culture and popular culture, and the part of people's living condition. A part of the series painted a group of female white-collar workers’ life. He described many aspects of their life through painting some simple commodity, like notebook, red wine, dainty breakfast, coffee, senior wallet, cigarettes, and powder box and so on. They choose notebook for fashion or convenience, so that network will become important part of their life. Today network is also become important part in our modern people’s life, and even has become a way of life. As for bar, carnival, party are another way of self-indulgence. Another part of his work has more impressionistic style. In these works, the backgrounds have some changes: some one is lines, and some one like the water wave; the suits changed to more sexy dresses; the hair style changed too; and the environment became from the real world to windy one. The uniform ones are the confused and inane eyes and not sexy lips smeared with the same red lipstick. The works convey the artist’s experience of society through the combination between the women and situation. It also gives us a vision imagination space.
Written by Xu Sheng
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