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抽象的原點(diǎn)
策劃：明明 周圍藝術(shù)
開(kāi)幕：2008-10-18 6pm
展期：2008-10-19 ----- 2008-11-30
地點(diǎn)：中國(guó)上海 威海路696號(hào)九號(hào)樓202
聯(lián)系：陳沂墨 13795319569
開(kāi)幕式將于2008年10月18日下午六點(diǎn)在上海威海路696號(hào)周圍藝術(shù)空間九號(hào)樓舉行
來(lái)自德國(guó)、美國(guó)、中國(guó)的三位藝術(shù)家斯蒂芬·斯提勒、戴維·蒂默斯和陳墻近期將在上海周圍藝術(shù)空間舉辦一次抽象藝術(shù)作品展覽。
三位藝術(shù)家盡管年紀(jì)相仿，走上藝術(shù)創(chuàng)作的道路迥然不同，卻不約而同地選取了抽象藝術(shù)這一表現(xiàn)形式。然而，此次展覽又并非一次簡(jiǎn)單的多國(guó)藝術(shù)交流，更是三位藝術(shù)家用其作品，對(duì)抽象藝術(shù)原點(diǎn)的一次追溯與詮釋。
在他們的作品中，我們可以看見(jiàn)抽象藝術(shù)的初衷。他們的作品，放棄了單向的描述與解讀，要求觀眾的參與和介入；放棄了絮絮不休的言語(yǔ)，轉(zhuǎn)而釋放內(nèi)心深處的情緒。無(wú)論來(lái)自何地的觀眾，只需自己去“感受”，感受作品結(jié)合自身的經(jīng)驗(yàn)帶來(lái)的視覺(jué)快感，直指其內(nèi)心深處。如此，三位藝術(shù)家在創(chuàng)作中把藝術(shù)最為本質(zhì)的一部分特性——直覺(jué)，發(fā)揮到了極致。
同時(shí)，人類變幻而又廣博的情緒與情感在具體的形象和詞句中有著無(wú)法回避的局限，但是卻可以在抽象中無(wú)限延伸。
The Origin of Abstraction
Curator: Mingming AroundSpace
Opening：2008-10-18 6pm
Time: 2008-10-19 ----- 2008-11-30
Address: 202, building 9, Wei hai Rd. Shanghai, China
Contact: Yimo 13795319569
The opening reception will be held at 6PM, October 18, 2008 at Space I, Aroundspace, No.696, Weihai Road, Shanghai, China.
Three artists Stephan Stiehler, David Demers and Chen Qiang, from Germany, United States and China, will have their abstract art exhibition at the Aroundspace in October.
Similar in age, different from art background, the three artists coincidently choose abstract art as their approach. Nevertheless, it is not only an interaction among different cultures, but more than an exploration and interpretation of the origin of abstraction.
In their works, we can discover the essence of abstract art. Their art has abandoned depiction and appreciation from a one-way channel, yet required the participation and interaction from the audience; they also discarded a narrative vocabulary, yet intended to express their feelings from the bottom of the hearts. No matter where the audience comes from, he or she may “feel” these works, through his/her own experience, and may get an individual visual fulfillment. Therefore, the artists exaggerated the most intrinsic part of art: intuition.
Also, the most changeable emotions of human beings can inevitably be captured by images and words; however, they can be extended unlimitedly in the realm of abstraction.
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