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    [專稿] 混生2

    藝術(shù)中國 | 時(shí)間: 2008-03-11 09:08:06 | 文章來源: 藝術(shù)中國

     

      展覽主題:混生2
      參展藝術(shù)家:金鋒、梁偉、馬永峰
      策劃:翁志娟
      開幕酒會(huì): 2008年3月8日下午4點(diǎn)
      展覽時(shí)間: 2008年3月8日— 4月6日
      展覽地點(diǎn): 北京方音空間
      聯(lián)系電話: 010-84599257
      電子信箱: info@funartspace.com
      網(wǎng)站:www.funartspace.com

      3月8日即將舉辦的《混生2》為2006年展覽《混生1》的延續(xù)。

      “混生”是一種混雜且個(gè)性化的生存狀態(tài),它并不朝著同一個(gè)方向走,是個(gè)體在集體里的生活方式。表現(xiàn)在藝術(shù)方面,即在當(dāng)下社會(huì)環(huán)境里,受意識(shí)形態(tài)影響的東西很少,藝術(shù)家們轉(zhuǎn)向更為個(gè)人化的方向發(fā)展。

      參展的三位藝術(shù)家作品之間幾乎沒什么聯(lián)系:金鋒的作品是影像化的個(gè)人主義、梁偉的是工業(yè)社會(huì)背景下的新銳繪畫、馬永鋒的作品偏向于研究攝影與媒介學(xué)。整個(gè)展覽呈現(xiàn)了在混雜多樣的當(dāng)代藝術(shù)大背境下,并存于藝術(shù)生態(tài)圈內(nèi)相似節(jié)點(diǎn)上的三位藝術(shù)家,在作品中所形成的個(gè)人概念,樣式及思考,是完全不一樣的。

      Press

      Title: Disorientation II
      Artists: Jin Feng、Liang Wei、Ma Yongfeng
      Curator: Weng Zhijuan
      Opening: Mar 08, 2008 Saturday (16:00)
      Date: Mar 08, 2008 - Apr 06, 2008
      Venue: FUN ART SPACE
      Tel: +8610 84599257
      Email: info@funartspace.com
      Website:www.funartspace.com

      The expectant exhibition 《Disorientation II》 held on the day of 8th Mar 2008 is the continuance of 《Disorientation I》 in 2006.

      The word “Disorientation” refers to an existence state of being both mixed and individual. It will never walk in the same direction; it’s an existence way of the individual in the group. If it is shown in the aspect of the art, it means that the few things can avoid being influenced by the ideology in present social background, while the artists tend to develop with the direction of individualization.

      The exhibited works of the three artists seem to be of no connections to each other: the works of Jin Feng are of individualism of idolization, while the works of Liangwei are new typed paintings under the background of industrial society, and the works of Ma Yongfeng are partial to studying the photography and the media science. The whole exhibition will show the different person conceptions, styles and the considerations formed during the works finished by the three artists coexisting on the similar joint of the artistic ecological circle under the macro background of multiple typed contemporary arts.

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