展覽名稱：象罔—白明抽象藝術(shù)展
　　策展人：島子
　　展覽時(shí)間: 2007.10.20-11.04
　　開(kāi)幕酒會(huì): 2007.10.20 16:00
　　展覽地點(diǎn): 北京方音畫(huà)廊
　　聯(lián)系電話: +86 10 8459 9257
　　電子信箱: fangfineart@yahoo.com.cn
　　網(wǎng)站: www.ffinegallery.com

　　白明的近期自然抽象油畫(huà)表現(xiàn)了巖石、山體、河流的神秘、變幻和美，白色、灰色乃至變化莫測(cè)的墨色成為淡雅、冷逸的主調(diào)，以往的線性風(fēng)格在虛靜的意境中得到演進(jìn)，巧妙地營(yíng)造出富有神韻的意境。其文化抽象則是靜態(tài)的，表現(xiàn)了歷史的煙云、凝固的人文地理的滄桑、斑斑駁駁的神跡，隨著視覺(jué)密度明顯加大、加深，溫潤(rùn)和透明向渾厚、雄強(qiáng)的勢(shì)態(tài)和氣態(tài)運(yùn)行。

　　“象罔”是白明近年創(chuàng)作的六十多件抽象油畫(huà)作品的集中展示。作品大致分為兩種形態(tài)，兩個(gè)相互關(guān)聯(lián)的實(shí)驗(yàn)空間，前者是自然抽象，后者是文化抽象，二者相互映照，相互闡發(fā)，實(shí)則為一個(gè)有機(jī)整體的渾然生成。

　　白明的抽象油畫(huà)融會(huì)意象之道之后，講究氣韻和妙悟，但依然倚重感知上的本能、靈魂深處的潛意識(shí)來(lái)推進(jìn)畫(huà)面，意境逐漸深遠(yuǎn)闊大，其間隱含著大自然的神韻，充滿著天地萬(wàn)象的神秘、變幻和美，日愈顯現(xiàn)出冷逸兼有雄渾的抒情抽象繪畫(huà)風(fēng)格，這種風(fēng)格趨向說(shuō)到底也是個(gè)性和人格的境界表征。

　　Newsletter

　　《XIANG MANG》Abstract Art of Bai Ming Exhibition

　　Curator: Dao Zi
　　Time: 2007.10.20-11.04
　　Opening: 2007.10.20 16:00
　　Venue: F.Fine Gallery
　　Tel: +86 10 8459 9257
　　Email: fangfineart@yahoo.com.cn
　　Website：www.ffinegallery.com

　　Bai Ming’s proximate natural abstract painting express that the mystery、change and beauty of rock、mountain and rivers，white、grey and enigmatical black become the main melody of elegant cool and ease, the former linear style get advancement in the whisht artistic conception and skillfully created the artistic conception full of verve. But the cultural abstract is static, expressed the history affairs and caky humanities and geographical desolate、evidence full of stains and spots，along with the density of vision enlarge and deepen obviously，clarty and embellish move to the condition and gaseity of profound and doughty.

　　“XIANG MANG”is the concentrate exhibition of Bai Ming’s 60 works of proximate created abstract painting. The works approximately divided into two kinds of states, two interrelate experimental spaces. The former is natural abstract, the later is cultural abstract and the two shine upon each other and explain each other. In fact, they are one integrated mass of organic whole.

　　Introjecting the image methods, Bai Ming’s abstract painting focus on lasting appeal and savvy. But it also rely heavily on the instinct of apperceive and hidden consciousness deep in the soul to push the menu and the artistic conception deepen and broaden gradually. It contains the verve of nature, full of the mystery、change and beauty of heaven and earth and ever phenomenon, gradually visualize the frostily ease and vigorous firm emotion express abstract painting style. This painting style tendency in the final analysis is the artistic conception token of individuality and personality.