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尹朝陽的作品既“夢幻”又“超現(xiàn)實”，但不管采用表現(xiàn)主義，還是寫實的表達方式，總能尊重對現(xiàn)實生活的體驗和感受，用繪畫表達著自己的藝術(shù)理念。理想與現(xiàn)實之間的干戈由藝術(shù)來平衡，藝術(shù)家敏感的洞察力和銳利的判斷力得以讓理想化的真實不再遙遠。較之先前的創(chuàng)作，近年他的作品面貌和內(nèi)涵有了很大的變化，最明顯的就是從個性化敘事轉(zhuǎn)到宏大敘事，其英雄主義的情結(jié)和烏托邦式的夢想隱含著對社會意識的關(guān)注，其次是他對生命存在的關(guān)注方式的改變，再者豐富的視覺變化的漩渦表達了對消逝的感慨。
尹朝陽是七十年代出生的藝術(shù)家的典型代表，他的繪畫在中國九十年代末期的具象主義繪畫中具有重要的位置。尹朝陽繪畫中的圖像概念、敘述性以及精神內(nèi)核都值得我們重視。
本次展覽收集了尹朝陽近十年來的各類主題創(chuàng)作，從青春殘酷繪畫，到烏托邦，再到他的神話系列，一直到去年的新作輻射系列，這是一次較大規(guī)模的尹朝陽作品回顧展，它向觀眾呈現(xiàn)了尹朝陽十年的藝術(shù)探索歷程。可以說，這樣的展覽不僅是對藝術(shù)現(xiàn)狀的呈現(xiàn)，更是對未來的凝望。
Yin Chao-yang's works is "fantastic" and "surrealistic", but whether performance, or realistic way of expression, he always respected the real-life experience and feelings. He likes to express his concept of art with the way of painting. There is art to balance the gap between ideal and reality. Sensitive insight and sharp judgments of artists make reality is no longer so far. Compared with the previous creation, there is a great change in the appearance and content of recent works .The most obvious is the personal narrative to the grand narrative, his heroism and utopian dreams imply a sense of the concern for community. This was followed by his concern about the way life changes. What is more，many visual changes in the vortex express the mixed feelings for lost.
Yin Chao-yang is a typical one during many artists who was born in the 1970s. His painting has an important position in Figurative Expressionism in the late 1990s.The concept, narrative and spirit in paintings belong to Yin Chao-yang are worthy of our attention.
The exhibition collected various types of theme created by Yin Chao-yang over the past 10 years, from youth cruel painting, to Utopia, to the myth , until a new series of radiation made in the last year ,we can say, which is a large-scale exhibition , to show the decades of history of art exploration for the audience. It can be said that this exhibition is not only to show the situation of the arts, but also for the future.
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