展覽：工作坊：傳播的圖與轉(zhuǎn)譯的像
藝術(shù)家：陳蔚、陳曉云、崔廣宇、方璐、方琛宇、刮子、何岸、胡向前、焦興濤、孔令楠、劉慶元、秦琦、仇曉飛、孫遜、翁云鵬、徐渠、閆冰、楊心廣
策展人：孫建春、許崇寶
展覽開幕：2010年9月18日下午4點
展覽日期：010年9月18日- 2010年10月12日
展覽地址：伊比利亞當(dāng)代藝術(shù)中心
展覽地址：北京市朝陽區(qū)酒仙橋路4號798藝術(shù)區(qū)E06
出品人：高平、邱晨楓
館長：夏季風(fēng)
藝術(shù)總監(jiān)：左靖
雜志執(zhí)行主編：董冰峰
主辦：西班牙國際文化藝術(shù)基金會｜《藝術(shù)與投資》&《當(dāng)代藝術(shù)與投資》雜志社
協(xié)辦：伊比利亞當(dāng)代藝術(shù)中心
展覽簡介：
“工作坊”，為《當(dāng)代藝術(shù)與投資》2007年1月創(chuàng)刊以來的重要欄目，著重介紹年輕藝術(shù)家的創(chuàng)作，呈現(xiàn)其創(chuàng)作思路和作品；同時調(diào)查、研究及呈現(xiàn)華人年輕一代藝術(shù)家群落中最具實驗性和創(chuàng)作力的個體藝術(shù)家，迄今近三年，共推介37位（組）藝術(shù)家，范圍涵蓋中國內(nèi)地、臺灣及海外地區(qū)。
“工作坊”編輯、制作工作的重點，是力圖清晰呈現(xiàn)藝術(shù)家創(chuàng)作的核心命題：即將那些通過觀念思考、不斷創(chuàng)作實驗可能性的因素乃至藝術(shù)生產(chǎn)的過程展開；欄目的制作，從2007年定位在“藝術(shù)家的一件新作品的誕生”到不斷演化為聚焦“藝術(shù)家工作的整體性研究”。
在《當(dāng)代藝術(shù)與投資》的編輯理念中，我們試圖說明，這本雜志展示的是作為‘現(xiàn)在時’的實驗性的、跨界性的當(dāng)代藝術(shù)生產(chǎn)。我們的理解，雜志應(yīng)該努力掙脫傳統(tǒng)所賦予它的定義，使它的“本質(zhì)”游離而成為一個開放性的能動主體。也就是說，它不僅僅是一本冷冰冰的僅供人翻檢的紙媒體，而應(yīng)該是一種通過展覽、活動、出版，以及建立在其上的各種可能的建構(gòu)。因此，我們不妨把“工作坊”的展覽實踐稱為 “雜志-策展實踐”。
2009年12月至2010年1月，《當(dāng)代藝術(shù)與投資》聯(lián)合伊比利亞當(dāng)代藝術(shù)中心共同組織、策劃的“工作坊：藝術(shù)家是如何工作的”的專題展覽第一次成功踐行了“雜志-策展實踐”的理念。2010年9月18日開幕的“工作坊：傳播的圖與轉(zhuǎn)譯的像” 展覽基于2010年“工作坊”（Project）欄目的研究工作，是對“工作坊”（Project）欄目紙本研究工作的延伸與響應(yīng)，著重于研究和分析在藝術(shù)家創(chuàng)作與展覽、活動、出版，及其他可能性傳播媒介之間發(fā)生關(guān)系時作品的觀念與物質(zhì)形態(tài)所發(fā)生的微妙轉(zhuǎn)譯：作品與傳播中的作品。
Exhibition: Work in Spreading: Images of Circulation and Retranslation
Artists: Chen Wei, Chen Xiaoyun, Tsui Kuang-Yu, Fang Lu, Silas Fong, Gua Zi, He An, Hu Xiangqian, Jiao Xingtao, Kong Lingnan, Liu Qingyuan, Qin Qi, Qiu Xiaofei, Sun Xun, Weng Yunpeng, Xu Qu, Yan Bing, Yang Xinguang
Curators: Sun Jianchun, Xu Chongbao
Opening: 18th September 2010, 4pm
Dates: 18th September 2010 –12th October 2010
Venue: Iberia Center for Contemporary Art
E06, 798 Art Zone, no.4 Jiuxianqiao Road, Chaoyang District, Beijing
Producers: Gao Ping, Qiu Chenfeng
Director: Xia Jifeng
Art Director: Zuo Jing
Chief Editor of Art & Investment and Contemporary Art & Investment: Dong Bingfeng
Presented by:
International Art & Culture Foundation of Spain
ART & INVESTMENT and CONTEMPORARY ART & INVESTMENT Magazine
Co-organized by:
Iberia Center for Contemporary Art
Exhibition Introduction:
“Project”, the central column of Contemporary Art & Investment ever since its first publication in January 2007, is dedicated to introducing to readers the emerging artists’ work through the presentation of their artistic intentions and creation. It aims at exploring, investigating and showcasing the most experimental and talented Chinese artists of the younger generation. Nearly three years on, “Project” has featured 37 artists /teams across mainland China, Taiwan and overseas.
The editing work for “Project” seeks to give a clean-cut presentation of the core dimensions of the artist’s work, namely, to unveil the factors making on-going experiments and concept-centered thinking possible, and furthermore to dissect the process of artistic creation. The concept of the column has been evolving from “the birth of a new work” in 2007 to “a holistic study of artist’s work”.
As the mission of the magazine, we tend to present to our readers contemporary art in an experimental and interdisciplinary way. It is our aspiration to create a magazine free from conventional definitions, so that the essence of the magazine can develop to an active and open independent voice. It is not only a cold, passive paper medium, but a framework based on which exhibitions, activities, publishing, and many other options could be opened up. We could call this exhibition a “Magazine –Exhibition practice”.
From December 2009 to January 2010, the exhibition “Work in Progress: How Do Artists Work?” initiated by CONTEMPORARY ART & INVESTMENT and Iberia Center for Contemporary Art was the first exhibition that successfully implemented the “Magazine – Curating practice” concept. The exhibition “Work in Spreading: Images of Circulation and Retranslation” which will be launched on September 18th 2010 is based on the studies done by the column “project” in 2010. It focuses on the relationship between the concept of the work and its physical form when the art work is being exhibited or published. That is: work and work in spreading.
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