紅玫瑰白玫瑰當(dāng)代藝術(shù)藏品展

策展人：Ada&旺宏拉措

展覽時(shí)間：2009年12月10日-2010年1月14日

參展藝術(shù)家：汪天亮，楊培江，雷子人，何唯娜，黃忠祺，李槍，莊健，劉懿，Tran Quang，Huan，Sunmito,Nguyen Trung,Doan Thuy hanh

展覽地點(diǎn)：北京朝陽(yáng)區(qū)酒仙橋2號(hào)798藝術(shù)區(qū)東街　

展覽畫廊:紅玫瑰白玫瑰現(xiàn)代美術(shù)

展覽簡(jiǎn)介:

紅玫瑰白玫瑰現(xiàn)代美術(shù)將于2009年12月10日隆重推出《紅玫瑰白玫瑰畫廊藏品展》。紅玫瑰白玫瑰現(xiàn)代美術(shù)以及紅玫瑰白玫瑰藝術(shù)會(huì)所于2009年5月成立于北京798藝術(shù)區(qū)，創(chuàng)始人Ada有超過15年的收藏史，值此辭舊迎新之際，特奉獻(xiàn)其部分收藏作品與君分享，以期共同領(lǐng)略藝術(shù)的獨(dú)特魅力。展覽為期一個(gè)月，將于2010年1月14日結(jié)束。

參展藝術(shù)家：汪天亮，楊培江，雷子人，何唯娜，黃忠祺，李槍，莊健，劉懿，Tran Quang Huan，Sunmito,Nguyen Trung,Doan Thuy hanh,分別來自中國(guó)，印尼和越南，作品涵蓋油畫，國(guó)畫，漆畫，漆器和家具多個(gè)類別，彰顯不同藝術(shù)特色：汪天亮的作品表現(xiàn)為《道德經(jīng)》的“大方無隅,大器晚成。大音希聲, 大象無形”的哲學(xué)語境，展現(xiàn)出大氣、沉寂的藝術(shù)效果；楊培江的畫用色濃郁而大膽，野性十足，手法洗練，畫法狂亂求筆，看上去不拘小節(jié)，實(shí)際上卻是成竹在胸，富于整體感，同時(shí)處理顏色的方式受嶺南畫風(fēng)的影響，非常有表現(xiàn)性，畫面中若隱若現(xiàn)的形象極富感染力的情調(diào)；黃忠祺的漆器融合了漢唐風(fēng)格與現(xiàn)代審美品位；莊健的畫在淡妝濃抹間巧妙的捕捉到女性身體的美麗，他明白女人就如黑墨，兩種一樣的陰性生命，飄忽神秘又獨(dú)放異彩；雷子人的作品，貫通中西又具有中國(guó)浪漫文學(xué)傳統(tǒng)，對(duì)當(dāng)代審美重新闡釋，像超現(xiàn)實(shí)的夢(mèng)幻場(chǎng)景，意境深遠(yuǎn)；何唯娜以女性的視角表現(xiàn)都市新女性的生存狀態(tài)，旨在強(qiáng)調(diào)生命的美麗與商業(yè)社會(huì)中的虛幻性追求；Tran Quang Huan空間巧妙地布置，Suminto的童趣，Nyugen Trung筆下越南女子非常富有單純感和表現(xiàn)力；Doan Thuy Hanh的漆畫有很強(qiáng)的民族特色，綜合材料的獨(dú)特運(yùn)用是他漆畫的一大亮點(diǎn)；李槍的版畫則以種子系列表達(dá)著對(duì)旺盛生命力的追求與渴望；劉懿家具的古樸典雅。

RRWR COLLECTIONS’ EXHIBITION；

RRWR collections’ exhibition will be held in Redrosewhiterose contemporary art gallery on Dec 10th,2009,RRWR was established in Beijing 798 art area on May,2009.The founder of the gallery is Mr Adam who has collection history of 15 years ,He woulk like to exhibit his collections and make people enjoy them befor new year coming,The collections are oil-painting,traditional chinese painting,lacquer painting and lacquer decorations,The time will last one month,It will be finished on Jan 14th ,2010

There are 12 artists from china,indonesia and vietlan,They are WangTianliang,YangPeijing,LeiZiren,HeWeila,Zhuangjian,HuangZhongqi,LiQiang,LiuYI, Tran Quang Huan，Sunmito,Nguyen Trung,Doan Thuy hanh.Echa artists’style is different.WanTianlian’s style is from the ancient chinese philosophy and zen;Yang Peijing has gotten reputation for the bold use of color and perfect and free brushwork, Meanwhile,He has been affected by Ningnan style,His works have abstact expressions and a strong visual appeal,

HuangZhongqi’s works combine the Han-Tan style and moden aesthetics;ZhuanJian has caught the beauty of ladies’body perfectly;

Lei Ziren’s work is link of the eatern and western culture,But also it has Chinese romantic literature tradition ,His works explain the moden aesthetics in another way;He Weilan’s works show the urban ladies’life in terms of the woman; Tran Quang Huan’s works have a pleasing balance of shapes and colours; Suminto’s work has child interest, The lady of Nyugen Trung works is very innocent and has expressions;

Doan Thuy Hanh’s work has always retained a strong geographic and ethnic characteristics, Especiallly the use of the mixed media is very unique;In the LiQiang’s works of the Seed Series,You can find the desire for pursuing strong vitality; LiuYi’s furniture is simple and elegant.