開(kāi)幕酒會(huì)：2007.07.07 周六 下午16:00
展覽時(shí)間：2007.07.08–2007.07.31
開(kāi)放時(shí)間：周二至周六 11:00–18:00，周日至周一12:00–18:00
展覽地址：上海市莫干山路50號(hào)3號(hào)樓201
咨詢電話：86 21 62773062

        北京現(xiàn)在畫(huà)廊（上海站）將于7月7日推出年輕攝影藝術(shù)家李博、雷本本雙個(gè)展“頭發(fā)很長(zhǎng)和頭發(fā)不見(jiàn)了”。作為年輕一代的藝術(shù)家，李博和雷本本并沒(méi)有循規(guī)蹈矩地按照攝影的傳統(tǒng)要求創(chuàng)作作品。
        李博通過(guò)砂石、線繩制造出肌理，再將攝影作品噴繪其上，形成了類似油畫(huà)或壁畫(huà)的效果；連同他通過(guò)這種方法制作的象棋裝置，都顯示出藝術(shù)家在視覺(jué)效果方面的追求，無(wú)形中打破了藝術(shù)各個(gè)門(mén)類之間，藝術(shù)和生活之間的壁壘。
        雷本本的攝影則出自她一年間不間斷的手機(jī)拍攝。雷本本迷戀于偏色迷離的圖像帶給自己的詩(shī)意效果，借由這些略帶迷幻色彩的圖片，她既“扭曲”了平淡如水的生活，又重構(gòu)了一個(gè)帶有戲劇性的自己。在《懸舞》中，雷本本放大了手機(jī)攝影的戲劇性效果，用玩偶制作了一個(gè)貌似童話故事的片斷，讓觀者自己去完成故事的其他部分，每個(gè)人似乎都能從中獲得一份隱秘的快感。另一組作品《活色生香》則以平常手機(jī)介入日常生活細(xì)節(jié)，重構(gòu)迷幻現(xiàn)實(shí)。

Long Hair No Hair

--Li Bo & Lei Benben's Double Solo Exhibition

Private View: 2007.07.07 Saturday 4:00 PM

Exhibition Duration: 2007.07.08–2007.07.31

Opening Hour: 11:00–18:00(Tuesday to Saturday)

12:00–18:00(Sunday to Monday)

Address: 201, Building3, No.50 Moganshan Road, Putuo District, Shanghai

More Info: 86 21 62773062

    BEIJING ART NOW GALLERY in Shanghai is pleased to present a Double Solo Exhibition of two young photographers Li Bo and Lei Benben on July 7th ---- Long Hair No Hair.

    As a new generation artists, Li Bo and Lei Benben do not follow the traditional rule for their photographic creation. Li Bo reproduces his photos with the texture through mashing the gravel and muddling up the cords, and then spraying the photographs on the surface of the mixture, by such he endows his photography the character of oil painting and mural. He made the lavish installation of Chinese chess by the similar thoughts, all of which have demonstrated the young artist's strong eagerness of perusing the experimental visual experience. This is also imperceptibly breaking the boundary among each school of arts, among art work and people's life for us.

    Lei Benben's photographs, on the other hand, stem from her constant handset shooting lasting a whole year long. Lei Benben is obsessed with her poetic world deducting from the ecstatic color and blurred images she made, through the pictures of the fairylike colors, she has twisted our ordinary life, and dramatically reconstructed another self. In DANCING ON THE CLIFF, Lei Benben enlarges the stage-played effects of her mobile-phone photographs: she forges a scene of a fairy tale with puppies, leaving the rest of the story finished by the audience. Everyone seems have obtained a pleasant sensation from the view of her mythology. Another set of works THE PASSION OF LIFE involves in the very details of daily life by the existence of mobile-phone's eye, mixing up the fantasy and reality.
(責(zé)編：裴剛)